The preamble for Ifor’s puzzle – Walk This ¬>Way told us that "Row clues must each be divided at some point and the parts used to generate two answers. Each must be modified before entry, one change applying to the first and another to the second of each pair. Solvers needing a pointer may find the title useful. The letter involved in the modification to each answer must be highlighted to show a relevant phrase. The first part of this phrase must be applied to one word in each odd-numbered Column clue before solving and the second part to those of even numbers; all their answers are entered normally".
For me this was a puzzle where the concept of what was going on came before the exact phrase. I also struggled a bit with identifying which way letters were moving, especially when there was more than one occurrence of the same letter in an Across entry. The real key for me was realising that all the right hand Across entries demonstrated one of the rules while all the left hand ones demonstrated the other. To begin with I thought either change could apply to either clue.
It’s probably fair to say also that I established the concept from the down clues first where I found a couple of clues could be solved sensibly with one word move forward.
Eventually the true phrase became obvious and that helped solve a number of Across clues to give crossing letters for the remaining Downs in the right places.
The phrase generated by the letters involved in the Across clue modification spelt out the phrase:
ONE STEP FORWARD, TWO STEPS BACK.
All the left hand Across entries had a single letter moving one place forward, while all the right hand entries had one letter moved two places back. When it came to the Down clues, the even numbered clues required one word being moved back two places in the clue while the odd numbered clues required a word to be moved one place forward before solving.
In the detailed blog below I have shown Down clues before and after adjustment. I have also shown how the letters move in the Across answers.
The clues were difficult to solve before I sussed out the required adjustments, but things became a lot easier once I had realised what was going on.
I think I have got all the splits right in the Across clues which I have presented as two separate clues for each line to help with understanding of the wordplays. The only split I swithered about was where ‘in short’ went in Row E. The Downs required a little bit of thought, particularly when moving words back two places, but again, I think I have got it right. Please feel free to challenge if you think I have got something wrong.
I though the clues were very fair and presented a good challenge.
I have blogged Ifor puzzles before and have always found them interesting and fun. This was no exception. in short (e right); musical terms
The final grid looked like this;
The title is fairly self explanatory even though the arrow points one way and some letters/words are moved the other.
I look forward to blogging more puzzles by Ifor.
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Across |
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| No | Clue | Wordplay | Solution | Letter | Type | Entry |
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A Left
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Unbridled passion loosed or (5)
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Anagram of (loosed) PASSION excluding the first and last letters P and N (unbridled; unrestrained [by outer casing])
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OSSIA (or, giving an alternative in music)
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O
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One Forward
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SOSIA
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A Right
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Randomly came about in casual flicks (6)
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Anagram of (randomly) CAME containing (about) IN C (IN) EMA* |
CINEMA (FLICKS is an informal [casual] term for the CINEMA)
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N
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Two Back
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NCIEMA
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B Left
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Item in bar snack placed outside meant uncovered (6)
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PUT (placed) containing (put outside) EAN (the letters of MEANT that remain after the first and last letters M and N are taken away [uncovered]) P (EAN) UT |
PEANUT (an item in a bar snack
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E
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One Forward
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PAENUT
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B Right
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Trial section in New Year festivities (4)
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S (section) contained in TET (the Vietnamese lunar new year festival.) TE (S) T |
TEST (trial)
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S
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Two Back
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STET
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C Left
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Quickly coming back about auditor‘s capital projections (4)
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CITO (quickly) reversed (coming back) OTIC< |
OTIC (relating to the ear; an AUDITOR is one who hears; CAPITAL refers to the head and PROJECTIONS describe the position of the ears in relation to the head; about auditor’s capital projections)
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T
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One Forward
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OITC |
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C Right
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Cross once trustee’s error excepted (4)
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TR (trustee) + EE (errors excepted)
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TREE (an archaic [once] definition of TREE is a cross for crucifixion)
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E
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Two Back
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ETRE
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D Left
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Collar features of criminal lapse left (6)
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Anagram of (criminal) (LAPSE and L [left])
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LAPELS (features of a collar)
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P
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One Forward
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LAEPLS |
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D Right
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Behind in coarse prison garment (6)
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AFT (behind) contained in (in) CAN (slang [coarse] term for prison) C (AFT) AN |
CAFTAN (a long-sleeved garment, reaching to the ankles and often tied with a sash, worn in Middle Eastern countries; garment)
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F
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Two Back
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FCATAN
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E Left
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Trample in mud, hop about catching a cold (5)
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Anagram of (about) HOP containing (catching) (A + C [cold]) PO (A C) H* |
POACH (trample in mud)
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O
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One Forward
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PAOCH
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E Right
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In short – a filthy race (4)
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Anagram of (filthy) RACE
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ACRE (a [is an abbreviation [in short] for ACRE)
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R
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Two Back
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RACE
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F Left
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Jug drains two sections missing redundant (4)
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SEWERS (drains) excluding S (section) twice (two)
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EWER (a large water jug with a wide spout)
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W
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One Forward
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EEWR
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F Right
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Stretches in endlessly searched ground (7)
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Anagram of (ground) SEARCHED excluding the final letter (endlessly) D
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REACHES (stretches)
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A
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Two Back
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ARECHES
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G Left
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Southern rent keeping (5)
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S (southern) + TORE (rent, past tense of rend)
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STORE (keeping as a noun)
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R
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One Forward
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STOER
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G Right
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Limits to payments written out for Scottish borders (5)
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The first and letters of (limits to) PAYMENTS are P AND S when written out in full
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PANDS (Scottish word for the valance [hanging border] of a bed)
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D
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Two Back
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PDANS
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H Left
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One statue, unfortunately positioned
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Anagram of (unfortunately) (I [one] and STATUE)
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SITUATE (as an adjective, positioned)
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T
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One Forward
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SIUTATE
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H Right
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Back to front, sprinkles water on fish pond (4)
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WETS (sprinkles water on) reversed (back to front) STEW< |
STEW (fish pond)
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W
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Two Back
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SWTE
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I Left
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Character, the one (4)
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T‘ (Northern England dialect form of ‘the’) + ONE
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TONE (character)
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O
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One Forward
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TNOE
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I Right
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Formerly filling up to perhaps twelve stories (5)
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TALES (originally [once] a legal term referring to the filling up, from those who are present, of a deficiency in the number of jurors. There are twelve members of a jury)
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TALES (stories) double definition
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S
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Two Back
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TASLE
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J Left
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Eventually getting round compliance upset about where waste emerges (6)
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(LATER [eventually] containing [getting round] C [compliance {physics}]) all reversed (upset) (RE (C) TAL)< |
RECTAL (relating to [about] where waste comes from)
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T
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One Forward
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RECATL
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J Right
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Stick advanced department on this site (6)
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A (advanced) + D (department) + HERE (on this site)
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ADHERE (stick)
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E
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Two Back
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AEDHRE
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K Left
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Measure stopping group interrupting (4)
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PINT (hidden word in [stopping] GROUP INTERRUPTING)
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PINT (unit of measurement)
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P
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One Forward
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IPNT
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K Right
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Direction when introduced to embryo transfer (4)
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AS (when) contained in (introduced to) ET (embryo transfer) E (AS) T |
EAST (direction)
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S
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Two Back
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SEAT
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L Left
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Crushed coffee beans superior people (4)
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NIBS (crushed coffee or cocoa beans)
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NIBS (people of the upper class; superior people) double definition
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B
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One Forward
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NISB
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L Right
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Used to serve drinks in foreign estate (6)
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Anagram of (foreign) ESTATE
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TEA-SET (set of utensils for serving tea; used to serve drinks)
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A
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Two Back
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ATESET
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M Left
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Constant knight in heroic exploit floored (6)
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(C [a constant in mathematics; also the constant speed of light] + K [knight]) contained in (in) DEED (heroic exploit) DE (C K) ED |
DECKED (floored in two senses, knocked to the floor and made a floor
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C
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One Forward
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DEKCED
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M Right
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Dragon, historically inclined to take daughter as early as possible (5)
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RAKED (inclined) with D (daughter) moving to the front (taking … as early as possible) DRAKE |
DRAKE (archaic [historically] term for a dragon)
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K
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Two Back
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DKRAE
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| Down | ||||||
| No | Original Clue | Word | Type | Adjusted Clue | Wordplay | Entry |
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1
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Fuse metals start to melt in fires – sun burning slowly in Nevada (8)
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fires
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One forward
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Fuse metals start to melt in sun – fires burning slowly in Nevada (8)
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(M [first letter of {starts to} MELT] contained in [in] SOLDERS) + S (sun) S (M) OLDER S |
SMOLDERS (American spelling of SMOULDERS [as a noun, fires burning slowly)
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2
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Bits lost turn when cutting threads into head (5)
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turn
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Two back
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Turn bits lost when cutting threads into head (5)
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To make THREADS into HEAD we have to remove (bits lost) T + R + the END letter, S
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TREND (turn)
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3
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Private investigator consumed in pursuit of drug ring (6)
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drug
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One forward
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Private investigator consumed in pursuit of ring drug (6)
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O (ring [shape[) + PI (private investigator) + ATE (consumed)
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OPIATE (drug containing opium or [loosely] a substance with similar addictive or narcotic properties)
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4
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Function that is deserted held over indefinitely (7, two words)
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over
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Two back
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Function that is over deserted held indefinitely (7, two words)
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(SINE [trigonometric function] + IE [id est; that is]) containing (over) D (deserted) SINE (D) IE |
SINE DIE (indefinitely adjourned; held indefinitely)
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5
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Completely filled leaves wasted with rambling (5)
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leaves
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One forward
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Completely filled wasted leaves with rambling (5)
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Anagram of (rambling) WASTED excluding (leaves) W (with)
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SATED (completely filled)
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6
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Returning all fire except the last barrel (4)
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fire
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Two back
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Fire returning all except the last barrel (4)
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SACK (fire) with the first three letters (all except the last) reversed (returning) CAS< K |
CASK (barrel)
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7
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Operant variable in translation (7)
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operant
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One forward
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Variable operant in translation (7)
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Anagram of (in translation) OPERANT
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PROTEAN (readily assuming different shapes; variable)
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8
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Lance and dagger each wound (7)
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dagger
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Two back
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Dagger lance and each wound (7)
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Anagram of (wound) (LANCE and EA [each])
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ANELACE (a short two-edged tapering dagger)
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9
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Prepare covering letter restrained in tone when sent back (6) |
covering
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One forward
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Prepare letter covering restrained in tone when sent back (6)
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(ETA [Greek letter] containing [covering] RIT [ritenuto, a musical term meaning restrained, indicating a sudden slowing-down of tempo; restrained in tone) (AT (TIR) E)< |
ATTIRE (prepare)
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10
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Go higher than first note in row thereafter (7)
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thereafter
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Two back
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Go higher than first note thereafter in row (7)
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(UT [a syllable representing the first note of the scale, now generally superseded by doh] + SO [thereafter]) contained in (in) OAR (row) O (UT SO) AR |
OUTSOAR (go higher than)
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11
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Had a specific position shielding neutron in heavy water (7)
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heavy
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One forward
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Had a specific position shielding neutron in water heavy (7)
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(SAT [had a specific position] containing [shielding] N [neutron]) contained in (in) PEE (urinate; water]) PE (SA (N) T) E |
PESANTE (musical term meaning heavy or weighty)
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12
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Language absorbing nursery children (6)
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nursery
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Two back
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Nursery language absorbing children (6)
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CREE (the Algonquian language of a Native American tribe living in Montana and parts of Canada) containing (absorbing) CH (children) CRE (CH) E |
CRECHE (a nursery for either brief or daylong care of young children)
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13
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Removed letters gave power to constraining act (7)
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constraining |
One forward
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Removed letters gave power to act constraining (7)
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DEED (act) containing (constraining) LET (gave power to) DE (LET) ED |
DELETED (removed letters)
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14
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Body covering limited Red Cross advance (7)
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advance
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Two back
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Body covering limited advance Red Cross (7)
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CASE (covering) containing (limited) (A [advance] + RC [Red Cross]) C (A RC) ASE |
CARCASE (dead body)
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15
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Menial worker heading abroad to totalitarian state (4)
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heading
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One forward
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Menial worker abroad heading to totalitarian state (4)
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ETA (formerly, a member of the lowest Japanese class, which did work considered menial or degrading; menial worker abroad) + T (first letter of [heading to] TOTALITARIAN)
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ÉTAT (state)
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16
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Queen producing revolutionary entertainment (5)
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revolutionary
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Two back
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Revolutionary Queen producing entertainment (5)
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CHE (reference CHE Guevara, revolutionary) + ER (Elizabeth Regina; Queen)
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CHEER (entertainment)
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17
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Threatens Special One after team takes the lead (7) |
Special
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One forward
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Threatens one special after team takes the lead (7)
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MEN (team) + ACE (one) + S (special)
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MENACES (threatens)
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18
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Setter at some ambitiously monstrous constructions? (6)
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some
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Two back
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Some setter at ambitiously monstrous constructions? (6)
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TERATA (hidden word in (some) SETTER AT AMBITIOUSLY)
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TERATA (monstrosities)
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19
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Better make sick note start to apply in advance (5) |
Better
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One forward
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Make better sick note start to apply in advance (5)
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A (first letter of [start to] APPLY) + an anagram of (sick) NOTE A TONE* |
ATONE (make reparation for; make better)
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20
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Limits of use plastic material tested (8)
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tested
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Two back
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Limits of use tested plastic material (8)
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Anagram of (plastic [mouldable]) (UE [first and last letters of [limits of] USE and TESTED)
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SUEDETTE (a fabric made with a velvet-like nap resembling SUEDE).
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Hated it, hated it, hated it, hated it, *loved it. Despite the lack of secret sign to say this one would be worth it in the end I persevered well past the point of despair and as ever it paid off eventually. What an amazing puzzle – it must have taken Ifor many painstaking hours to construct a grid and a set of clues where everything fitted such an exacting pattern.
So hard to get started when the theme is needed to solve the clues and the clues are needed to find the theme, so a lot of early frustration. Even when I did begin to get going it probably took me longer than it should have to find the exact theme as I had the Time Warp running around in my head
“It’s just a jump to the left
And then a step to the right…”
I was just waiting to see where the pelvic thrust fitted in.
I thought the cluing was on the hard side, which was harsh given so much uncertainty about the clues themselves and the final grid entries. There were a couple I couldn’t quite parse (OUTSOAR and TREE – couldn’t see how to get the UST out of trustee, didn’t think to look at the clue any other way!) so thanks Duncan for those.
And thanks, in retrospect, to Ifor for a corker.
*This was the point at which I finished it.
Duncansheil,
I think this was one of those puzzles that was relatively easy to solve – but must have been very time-consumingly difficult to blog. So, respect.
Do you, or anyone else, have any thoughts on the arrow symbol in the title?
I might be showing my ignorance but does that symbol mean something in maths/logic/whatever?
(‘Walk this way/walk the other way?)
For me, the theme emerged with the clue format/solution to 19D. Then I more or less guessed the relevant phrase and the ‘steps’ to be taken. So the cart came before the horse . . . but we all know that is not unusual.
Thank you duncansheil. Thank you Ifor – some strange words and ingenious clues.
oPatrick@1,
All Inquisitors are ridiculous.
Titles that often seem irrelevant, impenetrable preambles, convoluted clues to words that barely exist.
Lots of Chamber-consulting. Even more googling.
Sometimes takes an hour just to get one answer, which all to often miserably fails to unlock any others.
Complete waste of a Saturday – think of all the other sport/shopping/leisure activities you could be enjoying.
I am going to give it up. Next Saturday, and that’s it.
jonsurdy – “I think this was one of those puzzles that was relatively easy to solve” – were you doing a different puzzle from me! I found this one of the hardest of recent months, and that’s saying something.
I question the use of ‘thereafter’ as a synonym for ‘so’ in 10D. Thereafter, by my understanding, only indicates a connection in time order, whereas so implies a causal connection. I can see that they are both synonyms for ‘then’ but not for each other.
We found this one really tricky which we expected when we saw that the setter was Ifor. We kept looking at the preamble as we couldn’t tease out the common way of moving the words in the down clues. It wasn’t until much later that we saw that we were actually moving the wrong word in some clues – it gave the same outcome but inconsistent moves! While we are talking of moves, we also couldn’t quite understand the significance of the arrow in the title.
It was a great puzzle though and our admiration goes to Ifor for the construction.
Thanks Duncan for the blog – we weren’t happy with our parsing of 2d but you solved it the same way.
Sorry – forgot to mention to OPatrick that our online Chambers has ‘thereafter’ as a definition for ‘so’. There were quite a few others we had to check during the solve.
This was a wonderful puzzle which tied everything together in a very satisfying manner at the end. I was fortunate to be able to cold solve enough of the earlier row clues and appropriate column clues to ‘jigsaw’ the top left hand corner together and work out the instruction.
I would agree with those who felt that the clues were on the tricky side – but very fair – with some very sneakily hidden definitions – ‘or’ and ‘a’ in particular made me smile when I finally saw them.
If I have one eensy-weensy, tiny quibblette it would be that the (failed) musician in me feels that ‘ritenuto’ is musical instruction to restrain tempo, not tone.
But that’s just pedantry.
Many thanks to Ifor for the puzzle and Duncan for the very thourough blog.
I agree – tougher than normal clues. I found the Downs more tractable than the Acrosses, maybe because it’s easier to simply ignore a lot of the word order. All in all, quite a work-out, but satisfying.
The word “redundant” in clue F seems redundant – both ‘halves’ work perfectly well without it. And the re-ordered clue 5 doesn’t work well at all – it feels as though it should be WITH two steps back, rather than LEAVES one step forward.
But I disagree with Duncan’s 4d: I think it’s “deserted” that moves two steps back, to give “Function deserted that is held over indefinitely”, with “over” remaining part of the definition of SINE DIE.
As to the title … it was indeed a bit of a puzzle, and a few days after I’d completed the grid a thought came to me: if we were to move the arrow either one step forward or two steps back, then we’d get a more conventional version of the sign, namely “Walk This Way →” or “→ Walk This Way“.
2d was indeed a pig to parse. Thanks to Duncan & Ifor – they both must have taken ages to produce their respective contributions.
Thanks for the blog, Duncan.
I parsed 4 as Holy Ghost @8.
I found this pretty straightforward – mainly because I twigged the phrase almost immediately. However I held myself up for a while at the end because I had confidently written in SWARF for 2D on the 1st pass – swarf meaning ‘bits lost when cutting thread’ & a ‘swoon’ which could also be a turn (as in ‘having a funny turn’) – only when I found none of the SW corner acrosses would work did I realise my error.
Overall I thought it was a wonderfully well-constructed puzzle.
HG – yes, I wondered about the redundant word redundant too. At one stage I was working on there being superflous self-referential words in all the across clues, what with a casual casually appearing in row A as well (or was it randomly randomly appearing?). Not enough going on as it was, the puzzle needed that extra element to spice it up….
I reckon you’re right about 4D, but it works well enough both ways, which I’d say is true of several clues and just added to the difficulty.
Bertandjoyce – thanks, though I’ll remain sceptical hereafter.
Re the second clue at F.
I wonder if there was a typo and the word in the clue should have been ‘retches’ not ‘stretches’.
Reaches is an obsolete form of retches – hence the use of redundant?
Well, a huge thanks to Duncan for the blog as it uncovered all the areas I was going wrong. Yep, this one failed me, but I have had a good run of successfully completed Inquisitors of late which was bound to come to an end at some point.
Looking at my partially completed grid, I made most headway on the LHS of the grid but I couldn’t for the life of me work out how the clashes were to be resolved. The PDM just didn’t arrive for me this week.
On the difficulty rating, I found this top-end
A very comprehensive blog though, many thanks Duncan, and thanks (I think!) to Ifor for providing me with a deep-fried brain this week.
I had a thought about the meaning of the arrow in the title, but I think I’ve talked myself out of it already. I wondered if the arrow symbol was a literal representation of one step forward, two steps back – one ‘forward’ line and two ‘backward’ lines. No, probably not.
Phil R, at last someone else who isn’t airily dismissing it as an easy solve (I paraphrase a tad).
Re redundant
I don’t have my BRB to hand but I recall seeing an obsolete meaning of reach meaning ‘to stretch’ as in stretching a spring which is how I justified it to myself.
As usual my thanks to everyone who took the trouble to comment, and to Duncan for the comprehensive blog. Clearly I must explain the presence of the arrow; despite the ingenious rationalisations it’s there togther with the rest of the title for a very mundane reason. The shifts in clues and lights are all made such that “forward” is to be interpreted as left-to-right and “back” vice versa. But shifting a letter forward can easily be read as towards the front of a word (so moving the S in WORDS “forward” might be a device to clue SWORD). This alternative interpretation would leave an unfair ambiguity, which I’d hoped the arrow and the “pointer” reference would resolve. That’s it, I’m afraid.
Ifor
Really enjoyed this but getting to the end required getting the phrase reasonably early. It’s one of my oft-used phrases – I’m one of the original ‘grumpy old men’- so it came to me at about that point I was beginning to run out of steam trying to solve the clues ‘straight’. 3D was the giveaway for me, when it became clear that words were being shifted around in the down clues and that led to some other Down solves until the penny dropped with the phrase.
I found this ‘middling’difficult, anmd a really clever and rewarding puzzle if you were prepared to stick at it.
Many thanks Ifor and Duncan for the blog.